here we present good vibrations, the debut ep on local talk from canadian producer orazio fantini. the best thing with this ep is that it is simply straight up house music that is both deep yet raw and funky all at the same time. basically, its very local talk ,) first track, to the ball, starts off with a bubbling bass line, followed with shuffling hi-hats and swinging beat that is glued together by glistering synth stabs, infectious to say the least. turn the record over for feel it, which showcases fantinis clever use of vocal samples blended together with the perfect swing and last not but not least, on hold is a stripped track but with all the necessary elements to make the feet move.

vinyl only! 2013 repress! for the first release the swiss label has chosen a timeless deep house track from cologne resident and stadtgruen founder martin donath. >veranda< pleases with dubby chords, shuffled hi-hats and wonderful pads. dubbyman - spanish deep house pioneer and head of the fantastic label deep explorer music contributes with an incredible remix here and increases the focus on the soft and moody pads. the result is pure ear candy and we cant wait to hear this tune at the beach. two extremely strong tracks with a fantastically casual attitude and a promising beginning for waehlscheibe. both tracks mastered by above smoke at the hole of dub studio.

little is known about mysterious producer tommy rawson. our first acquaintance was the aptly named shy track on red rackems smugglers inn 001 release. we tried to find out more but the trail got cold pretty quick. it was not until hearing gilles peterson playing a version of hugh masekelas dont go lose it baby on his show that word got around, tommy rawson was back. this particular anthemic track found its way to mats who then started playing it out and every time, in every club no matter where in the world the reaction was same, people completely lost it on the dance floor! we had but no choice to release the track and luckily enought tommy must have a sixth sense because at the same time mats blasted the track at the local talk office to convince tooli shouting: this is the next big release for local talk, i m telling you! another track made it into his mailbox, the soulful house jam brenda done died with no name. both tracks ended up on this 12 inch of course. mr rawson has delivered the goods here, warm, sunsplashed music all the way. a name to watch for this year and probably not mysterious for long.

lokee musiks sophomore release features newcomer afriqua. a 21 year old from virginia, usa and currently based in berlin. this fledgling producer and student of the royal academy of music sparked interest with lokee when they met at one of their famous after hours in london. the title track here is melt & features broken groove with afriquas minimal perspective. electric pulse stabs are at the heart of this rhythm and drive it with a much appreciated space. vocals from sorcha richardson adds an eerie anthemic touch reminiscent of somewhere between the cocteau twins & fever ray

we are very happy to welcome our old friend pablo valentino for the second release of 2013. it is no coincidence if pablo & dairmount hooked up nearly 10 years ago when pablo started his imprint faces, dedicated to leftfield black music influenced soundscapes rooted in hip hop culture. both sharing a strong sense of underground activism, a deep love of the black music tree and a lovely obsession for futuristic sounds, it is no surprise that these two naturally decided to join effort under the room with a view umbrella.
next up, pablos monster original received the magic treatment of amsterdams finest dam swindle. one of the hottest dj & production units of the global house scene confirms here why labels like freerange, saints & sonnets or dirt crew went bananas to sign their early work. the dutch duo has made a spectacular & fast rise and is already in high demand all over the planet. their inimitable blend of melodical grooves, jazzy chords and bumpy bass-lines seemed to be tailor made to translate a new school approach to pablos rooted original tune.

all us here down on bird scarer farm have been fans of the work of mr. craig bratley for some time, so it is with pleasure unbound that i announce the release of bird scarer 4.manufactured in a town just outside leeds and tested on humans for the first time in a tent just outside skipton. ladies and gentlemen... boys and girls. obsession by craig bratley. a sleazy new-beat erotic monster of a tune channeling mr. delgado and mr. gorl (thats d.a.f. to the un-initiated) in the original version and slo-mod even more with added live bass (andy baxter) and guitar (courtesy of ex sons of slough member mr. duncan gray) via the asphodells mix.

here comes the first release lf the outstanding super disco stars hard ton on our label! with a-side track rise up we have the first track with chart potential on our label we d say. we love it anyway! b1 track work that body shows off the heavier jacking side of hard ton and b2 monotone rounds up the ep with its uplifting house chords. not our average cup of tea, but we fckng love it

nice price deal !!! so now, here is karezza by the way, karezza is not the soft feel of the wind on your skin but magick extreme tantric sex, the end of a voyage for us in a way, the beginning for you. a record to be proud of, albeit not an easy one. it has already blown away acid luminaries like james holden, ed chemical, piers martin, konrad black, it will certainly enlighten many more in many dark ways.

sophistication and elegance have not always been the strobe light honey for die-hard divers into the dance genre, but it has been octo octas strongest suit since his 2011 debut 12 inch on 100% silk, and here again are those initial ideas of identity and hunger for intimacy all leading to an adrift, uneasy feeling, only they have materialized into that instantly recognizable, authentic oo sound.

saobi records 06 is here, this time with another superb quality release from various artists, the excellent ep contains all the ingredients of a fresh and modern deep house slammer, combined with an irresistible vocal tune, full piano sounds and amazing strings that touch deeply in your soul!

as you all have probably noticed, here at prspct hq the vinyl releases dont stop. this month we already released the massive prspct family album and prspct xtrm 007 by dither but were not done yet. prspct 021 by limewax & acid diaper will be hitting the streets next week!

here we go with three new tracks by jens zimmermann on snork enterprises records. this release is mechanic and organic in one way, also kind of robotic and humanoid. roboter eins and roboter zwei are two zimmermann subbass movers for the clubs. thrust and power on each side of the vinyl release

r u ready for the next ride with the cab drivers? welcome aboard! here you go: dancefloor approved music from the cab drivers live show.

this is what happens when two scientists of the bristol bass continuum collaborate ...
a. keyhole : have you ever stayed awake for 3 days straight? this track runs in a parallel universe to our own - a bit like being in a hole you cant get out of.
aa. hydropump : die & addison groove force-fed the sp1200 with a secret 90s nutrient formula, creating the pairs first ever collaboration – hydropump. no spider mite here.

it is almost spring here in los angeles, and jesse rose is chugging along with the 12x12 series, this time with dance with me. two versions of the track here - one for the chi-town house heads and one for the dusseldorf beat junkies. wherever you are in the world, have a dance with us!
early feedback and support from joris voorn, heidi, zombie disco squad, round table knights, and more.

ike returns here on philpot with his special sound: a deep mixture of jazz, funk and oldschool house. heavy bass and club approved! enjoy!

here are the two techno giants format:b and pleasurekraft take the underbrush like king kong and godzilla. one can see that the recent tour through mexico has only strengthened their artistic bond.

straight and to the point high bpm club ready tracks from the world of delroy edwards. no one is left standing with the clap, whistle, and warble of this ghetto funk. rough and tough beat tracks made for mixing and getting the fuck out, just like in the old days. nothing flashy here, hard working tracks for the working dj.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

these tracks you will find just here on coloured vinyl. no digital release. if you are one of those rapidshare upload motherfuckers who steal the food out of our fridges and spit on our kids educations, beware: our caucasian friends will find you!

the manchester based music with content imprint returns this april, with a four track ep from greek producer sek.
music with content launched in 2012 with a collaborative release from content resident, eddie leader, teaming up with agnes and iron curtis, followed by a three tracker from deymare, backed with a deep space orchestra mix, an indication of the sheer quality coming from the label from the very beginning. here it shakes things up a little with a release from a contemporary house producer, sek, notably known for his work on off, apparel music and deep series. sek aka dimitris kesses, delivers heady house grooves infused with warmth and soul.

!organism is the swiss techno label owned by yan stricker. since 2008, it has dealt in a stripped brand of minimalism releasing artists like the boss himself, mylo salte and tom laws, who returns once again here alongside bodyscrub aka italian producer roberto bonetti. eagles eyes is yet another classy family affair from techno true-schoolers, !organism

limited triple vinyl, contains here we go! ep (aa-16) and i m a hotshot robot (pkglp24).

the warning we all here at cocoon still remember their label-debut as a duo. timeless and kickin tech-house with hands-up-energy and potential to set dance floors on fire - until today!

willie burns doesnt need much introduction these days with several releases for trilogy tapes, l.i.e.s. and creme org under his belt, as well as numerous appearances, aliases, amounts of podcasts and radio shows bordering on the insane, not to mention his own label wt records and on and on and on it goes.. for a man who likes to keep a low profile he sure gets around! as it stands, here are four bright new signature cuts drenched in naivety and joie de vivre for yall to chew on.

illusion007 has a licence to kill, coming courtesy of illusion family members acid mondays with a stunning remix at the hands of detroit legend delano smith

sure, you are still playing part one remakes by shifted, lucy and developer and suddenly here comes the second instalment of the series. this time the line up is awesome, starring xhin, perc and orphx.

of course the acid rebirth is the masterpiece here, in a sense. a bloody good reprise, totally replayed with hardware of the rebirth from jones and stenfenson on bonzai. finishing on a big frustration: still some work for the dj! but also with the interstellar delivery, mr gasmask brings a superb techno trance tune. at least afx fans will enjoy the last tune, the arboria tribute:a superb acid broken stuff, in the pure oldschool tradition of this owesome style. 200 copy limited!

freedom school is well known for releasing ig cultures, kaidi tathams and mark de clive lowes conceptual albums. this label connects the big history of black rooted music and future science of beats and groove. and now they have decided to release the new ep by detroit legend rick the godson wilhite! rick is well known as a member of the 3chairs project with theo parrish and moodymann. and he gave big influence for detroit black music scene (house, techno, hip hop) as a owner of legendary record store called vibes rare & new music. and now rick the godson wilhite drops the 3 track ep called freedom school d.j. series vol.1! tribute is the black mid groover. here is fantastic mixture of jazz and disco and soul and african with some sample and loop and deeply beat groove science. techno dust is some like ron hardys spirit way of dance track with mad effect and jackin groove line. kinky is the raw black groove with the texture of jazz and black dub sounds.

the mighty maw return with this vinyl only release here was have an unreleased gem from back in the day the aptly named disco jam is a 5 minute live disco / funk workout from the boys themselves, which has never seen the light of day. pressed on 10 inch clear vinyl

turquoise blue has come a long way since its launch, welcoming the likes of djebali, manik, laura jones, boris horel and alex arnout onto its roster. here the label welcomes back special case following their remix of scarlett ninas the end on the imprints preceding record.
title track niribu opens the release here, a low-slung, tripped-out house number employing insistent drum programming and dark, atmospheric synthesizers as its driving force. the trio continue down their path of tasteful, intelligently crafted productions, instilling subtle production nuances through filters, delays and reverbs in to the cut while a tight blend of gritty electronic and warm organic sounds creates a heady peak-time cut.

after last years dystopic debut, super strength ep, rising parisian cedric bros aka marcelus returns to tresor with something a little more deep and shiny in emerald. once again marcelus conjures up the spirits of detroit and berlin techno, moulding them here into dreamy modern house incantations-an inspired blurring of the lines the well-versed frenchman has been rehearsing over the last decade.

dfrnt aka alex cowles, has put out a string of critically acclaimed releases via his own echodub, and londons, on the edge imprint, since his arrival on the scene in 2008, had his track headspace remixed by scuba which featured on the producers sub:stance mix cd for ostgut ton, and maintained a consistently forward-thinking approach to electronic music throughout this. here he joins 2020 vision offshoot fina records, alongside the likes of move d, leif and roberto rodriguez.

nick woolfsons teng imprint drops, tactics, this april by german producer mias void, backed with a remix from the barking dogs. mias void, better known in the industry as matthias vogt, has been producing infectious house grooves for quite some time now, with releases for labels such as, chicagos large music and lazy days recordings. here vogt pushes into new territories under his new mias void guise, matthias sees this alias as a chance to express a new, more experimental side of his productions, yet keeping the mv initials to maintain a lock between the distinctions. with releases pinned down for polytone, lo:rise and fullbarr already, this new sound will undoubtedly be as well received as his deeper explorations.
supported by: dusky, iron curtis, akra, john osborn, jacques renault, seth troxler, laura jones, radio slave, uzuri, tony rodriguez, m50, maya jane coles, alex coulton, flori and many many more!

second 12 inch in the testpressing series, hand-stamped sleeve including insert with artwork by alex solman. mastered and cut by matt colton at alchemy, pressed at pallas so here we are at part two in the series: grows without bound on the a-side is a monster, a noisy analogue session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between vainio and nate young. over on the flipside primitive equations takes for inspiration the bare-boned, hyper-tense production of photeks still devastating ni-ten-ichi-ryu, slugging out feral, steely noise and ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

moodymanns mahogani label releases another posthumous j dilla release, titled lost tapes, reels + more. check! despite his untimely passing in 2006, j dillas legacy has remained strong thanks to the enduring qualities of his back catalogue, the endeavours of the j dilla foundation and the yancey media group, not to mention the countless dilla themed reissues and projects that have surfaced in the wake of his death. moodymanns mahogani imprint have of course played their own part in ensuring j dillas enduring legacy with the release of the dillatroit ep last year, a 12-track release of previously unreleased j dilla material done in collaboration with the aforementioned yancey media group and j dilla foundation

jump kicks things off in style here, with its off-kilter drums creating a bumpy, energetic vibe, while bright chord progressions, hi-strings and looming, drawn-out bass tones create the melodic depths. sampled and manipulated vocal snippets are also introduced building their own melodic movement, while the envelopes of each element are subtly tweaked to falter and evolve throughout the records duration.

after storming the charts in 2012 with mysterious 7 inch championed by todd terje & many others, zambon & kapsa - the guys from the very polish cut outs are back with more goods! following the successful debut, they bring us a delicious 12 inch release with 4 amazing edits based on obscure polish records from the 80s. a side is curated by ptaki, a mysterious duo hailing from warsaw. ptaki (which means birds in polish) fly high and want to keep their true identity under the radar. nevertheless, they serve two amazing cuts here, both based on obscure polish jazzfunk. krystyna is the choice cut, with its infectious vocal hook and irresistible groove. marek is a piece of wonderful balearic slow house with rich rhythm and crazy synth action in the middle. b side comes from maciek sienkiewicz, one of the finest purveyors of balearic grooves in poland. two tracks served here wouldnt sound out of place in alfredos set. song for mohindar is the lead track, with its ethereal new-age atmospherics and exotic instrumentation. syntetyczna kobieta lux is an electronic burner that you may (or may not) know from last years tvpc beats in space show.

nice price deal !!! hypno killer! martin patino is a real heavyweight with releases on cadenza, suara and flash. martin belongs to the generation who have enhanced house music with a new vibrant sound design. his track >michal< is a spiritual and breathtaking experience, a mesmerizing encounter into the deeper and psychedelic side of the soul. martin hits the keys with precision and energy that works in perfect harmony to his hypnotic side. this track is a fabulous one and comes here as a single side release.

hat barrington levy seinen charakteristischen ohoho molldreiklang in absteigender tonfolge eigentlich jemals als markenzeichen schützen lassen? der reggae-saenger ist mit dieser stimmlichen signatur jedenfalls auf anhieb zu erkennen, nicht zuletzt, weil er von diesem gesangs-jingle ausgiebigen gebrauch gemacht hat. am legendärsten natuerlich auf seinem dancehall-hit here i come, mit dem diese werkschau seiner fruehen karriere von 1979-84 gewissermaßen abschließt. zu beginn war er uebrigens noch zarte 15 jahre jung und hatte mit songs wie shine eye gal schon ordentlich vorgelegt. ein zu unrecht vernachlaessigter klassiker. >d:bug<

venezuelan-born miguel toro is an impulse generator: a versatile drummer and percussionist. rhythm is his motor, but rhythm here does not just denote a motion within a certain beat. rather it means a fundamental, ever changing pulse, vibration, resonance. inspired by aesthetic forms as intense and diverse as the jungle of sounds ascending from his royal dust, miguel toro succeeds in giving them an extraordinary voice.

so, here we are at loch lomonds fourth album, dresses, and its a spectacular, moving piece of work. employing piano, cello, flugelhorn, vibraphone, dulcimer, banjo, belle plates and, perhaps most affectingly of all, some dazzling choral arrangements, dresses can be remarkably understated for an album flushed with so many orchestral characteristics

scott mou, known as one half of the duo jane – the folk techno drone duo he had with panda bear - aswell as part of manhattans famous record store other music, debuts with his soloproject queens. johan jacobsen describes the wonderful music of queens in oxymorons, colorful monochrome, myopic depth, sad joy, driven slowness, enlightened darkness, universal intimacy, ethereal earthboundness ... as it should be. queens is one of those wonderful artists who are hard to catch on the fly, who escapes easy definition. his music is an unexpected and unimagined universe ready to be explored, and it s a universe that is wonderful to be in. when dial records david lieske and peter kersten listened to a performance of their new york based friend in 2009, it was one of those unforgettable unique experiences you only have once in a long while these days. the idea of releasing an album was born. the production of end times involved other labelmates such as phillip sollmann aka efdemin (recording), kassian troyer (mixing) and hendrik weber, who once joined a life performance on stage with scott mou in 2012.

dalhous is the latest collaborative incarnation of marc dall and alex ander, who have previously released on blackest ever black as young hunting. the change of name reflects a new clarity and conviction to their work, and while certain sonic signatures, not to mention certain extra-musical influences (particularly the films of jack bond and jane arden), have carried over from their last project, they are handled here with a newfound sophistication and restraint. mitchell heisman marks the beginning of a new chapter in the precocious duos development, and heralds dalhouss debut album on blackest ever black in 2013.

new greg gauthier on qalomota records! after better with kenny bobien here is the new production from this famous french dj/producer. fast forward introduces the female singer asha who delivers a perfect vocal for deep house lovers. sweet and groovy greg and asha give you an exclusive taste of house music feeling. only on qalomota records!

making his 1st appearance on mathematics on a 2009 12 inch, audio atlas returns to the label for a debut album! here he blends raw house sounds with the elements of deep techno to bring 9 tracks of top quality dance music, each tune titled after a different part of the globe. highly recommended!

already the third part of the seven daze a week compilation series and again some delicious house music here - plus new faces at morris audio! jmx (2020 vision, tsuba) is making his debut with the fat gotta be tune. watch out for more jmx on morris soon. another new face on morris is duff disco with his deep and epic track come home. and the third new addition is german fella nick beringer, a true house head with releases on the cool wax classics (skylax) label. last but not least is sek, joining us again with some techy house for this compilation as he already did on morris audio 81.

brand new, london-based imprint, othertones, launches with a stellar three track release from dan farserelli and romanian artist mp, entitled fat cap and backed with a baby ford remix. the labels aim is pretty simple, tipping its focus towards releasing quality underground electronic music across the board from associates in the industry, while also welcoming established artists respected by the label-heads. here its inaugural release embraces a low-slung, stripped-back house aesthetic, with raw, gritty sounds and a profound depth instilled in the productions. baby ford adds a further weight to package with a dubbed-out ethereal interpretation of the title track. this is intelligent listening and a great indication whats to come, with this brand new imprint packing a punch from the very off. dj support: dice / tini / spencer parker / mr g / raresh / d julz / brothers vibe and more

the newest offering from luke hess deeplabs imprint: warehouse sessions volume 1. limited to 500 grey marbled copies worldwide, all four producers on duty here keep the vibe deep and unique, jacking at times while laid back and cosmic at others. four tracks with a groove firmly rooted in early to mid-nineties detroit warehouse techno, the results mix analog instruments and machines with a dose of atmospheric dub!